Practice only; not a template or preferred result. Each day gives two concrete domains with art choice, meaning and honest evidence/status. Let children reject both. Complete one small original piece, not a paperwork card. Keep the two Day 115 and two Day 120 models until AFTER first check capture only. No model proves an actual material event, community purpose, feeling or audience response.
| Day | Domain 1 — art / reason / actual boundary | Domain 2 — art / reason / actual boundary |
|---|---|---|
| 111 | A broad mark as an invented floating stone: I draw one low mark near a page corner and keep the room around it; actual DRAWING, printing NOT TRIED. | A single abstract mark for quiet looking: I direct one approved stamp placement. Adult actually stamps only if available; own placement/meaning recorded, ADULT-STAMPED. No result invented. |
| 112 | An imagined cloud leans: I choose a turned mark rather than copying the horizontal proposal. Actual dry drawing; its printed version UNMADE. | An unnamed picture keeps a horizontal mark: no change is a real decision. If actual printing tried, record actual footprint/turn/result, not a predicted identical oval. |
| 113 | A made-up gathering keeps an uneven wide space between two shapes. This is invented art, not evidence of a family celebration or event time. | A one-mark picture leaves most of the paper open. It is finished if the child chooses; no mathematical sequence/neat pattern expected. |
| 114 | I notice the source graphic puts three ovals far apart; its documented compare-arrangements purpose helps me consider open space. I make an own dry version with a different idea. | I dislike the cluster and choose a mark outside my imagined gathering. This is an own response to an actual computer work, not knowledge of a human/community artist. |
| 115 | AFTER first check capture only: I keep one broad mark but move it nearer the lower edge to suggest an invented sleeping boat; I make dry art, printing NOT TRIED. | AFTER first check capture only: I choose a loose pair with a larger gap for an unnamed idea, direct an adult to draw, and label represented print UNMADE; no audience supplied. |
| 116 | A dry curved line beside a mark becomes an invented gust. I draw on fresh dry paper; no wet compatibility/drying claim. | No line: I keep an actual print exactly as it is. Adult verifies actual dry/storage status; no requirement to add detail or explain a real feeling. |
| 117 | Two drawn shapes meet in my invented dancing-stones picture. Graphic overlap is actual drawing relation; no paint trial or real layer order from it. | Actual approved adult-stamped overlap, if it happened: I chose where the second went; record real adult action order and observed result. Thin/opaque coverage cannot be promised. |
| 118 | I call an own drawn empty-space picture Funny sky. That is intended meaning; an observer may read it differently. No mood diagnosed from colour. | I make an unnamed abstract picture and keep it private. An ordinary self-feeling is optional; never write a sample disclosure or audience quote as an actual event. |
| 119 | I stop at my single dry mark and keep it privately. Finished art is my choice, not a statement card or public display. | I want to give my original drawing to a willing recipient. Until agreement/handover actually occur, write intended gift only; if unavailable I keep it privately. |
| 120 | AFTER first check capture only: I choose a line away from a broad mark to suggest a floating kite; actual dry drawing, unmade print and no audience. | AFTER first check capture only: I retain a crossing but change where it curves for an unnamed idea, directing an adult-drawn work. Actual maker/support recorded; no emotion or physical paint order inferred. |
For a new swap, preserve the goal (own turn/space/line/meaning decision), change the invented subject or available actual medium, then record who made what. Any “viewer says …” example is conditional, never testimony. Adult setup work is not child handling. Physical trial absent stays NOT TRIED. No compulsory pattern/count, calendar/event claim, cultural design or real-feeling disclosure.