SubjectNest resource library

Foundation / Visual Arts / Term 3 / Weeks 23 24

Development draft · local review needed

Current exact sources and bounded art evidenceFoundation Visual Arts · T3 W23–24 · Curriculum Crosswalk

Download editable text

Foundation Year / Visual Arts / Australian Curriculum Version 9.0; Queensland Prep · checked 30 September 2026. Independent official workbook fetch HTTP 200, 2,049,917 bytes, SHA-256 db446882d2c00cf7c085a03e250e2442fda6c44011fc114680c46c1dc7a822c3. Actual Learning areas E/J cells, stored workbook and import agree. These are exact descriptions, not a theme inference.

Exact code / workbook row Exact description Opportunity Evidence boundary
AC9AVAFE01 / 21465 explore how and why the arts are important for people and communities Day 114 and fresh checks: encounter actual original graphic and documented purpose; optional authorised actual work. Child response and bounded why-for-this-work; digital source is not a human painter/community encounter. Narrow classroom purpose, not full breadth.
AC9AVAFD01 / 21474 use play, imagination, arts knowledge, processes and/or skills to discover possibilities and develop ideas Days 111–120: play with mark/turn/gap/line, optional trial, keep/change. Actual child decisions and event/NOT TRIED. Honest plans can evidence development, not actual physical printing.
AC9AVAFC01 / 21484 create arts works that communicate ideas Days 111–120: original practical picture or director-supported actual work. Actual artifact communicates child intent; actual drawing versus unmade represented print and adult contribution separate. PLAN ONLY does not establish created artwork.
AC9AVAFP01 / 21493 share their arts works with audiences Days 118–120: optional actual private sharing/display or willing recipient. Actual child work and freely agreeing audience event only. Private self-review/intended use alone is not audience evidence.

QCAA Visual Arts entry · Prep alignment · Prep assessment techniques/conditions. Fresh complete official indexed one-page alignment (230434, ©2023) and Complete three-page techniques text (230141-01, October 2023) inspected. Alignment relates encountered-art responses and playful creation/sharing to the descriptions above. First-table AC9ADVAFE01 has an extra D; national workbook, alignment key and later table use canonical AC9AVAFE01, retained here. Techniques supports development/making projects, make/share projects and short responses, material-appropriate art conventions/processes, observed evidence and accessible modes. Components may span lessons; longer responses are not necessarily better. Document neutral prompts/scribing and apply current local practical safety rules.

Independent direct requests to all three QCAA URLs returned 403. Indexed text is separately available; current PDF bytes/layout unverified, no usable screenshot pixels inspected. Do not treat this as a successful current PDF download/layout audit. Source receipts/pins are local; school must check current full documents and implementation before reporting. This original adaptation is partial practice, not endorsement or full achievement-standard coverage.

Integrated contexts — separate actual evidence

W23 considers event sources; an invented gathering picture does not evidence a real significant family-shared celebration. W24 keeps real self-feeling/help evidence separate from fiction. Art uses invented/abstract meaning, never a colour/emotion key or safety message. No child must disclose a personal event or feeling.

Exact code / row Exact description Boundary
AC9EFLE03 / 52 recognise different types of literary texts and identify features including events, characters, and beginnings and endings Context only: art idea is not literary text identification/features assessment; no source-backed event retell claim from own invented picture.
AC9EFLY02 / 72 interact in informal and structured situations by listening while others speak and using features of voice including volume levels Context only: any actual listening/spoken interaction is separately observed. AAC/dictation art access is not automatically evidence of this spoken interaction description.
AC9HSFK02 / 1217 the celebrations and commemorations of significant events shared with their families and others NOT OBSERVED from invented gathering. Authentic willingly sourced significant family/other shared celebration or commemoration needs its own local review/source/significance evidence; no cultural authority invented.
AC9HPFP03 / 3175 express and describe emotions they experience NOT OBSERVED from inferred/fictional art mood. Actual voluntary ordinary self-emotion expression/description needs separate evidence; no disclosure required, no diagnosis from marks/colour.

No prescribed AB/counting/calendar pattern or mathematics attainment from repeated marks; neatness/speed are not art goals. A stamp tool is not its transferred impression; drawing/plan is not physical printing. Actual medium/maker/support, source access and own intention remain separate. P01 audience, real emotion, community importance and paint trials remain not observed / NOT TRIED unless actual events support them. Use several dated work samples; school reviews the balanced programme.

Australian Curriculum © ACARA 2010–present, CC BY 4.0 under current terms; Queensland material © State of Queensland (QCAA) 2023, CC BY 4.0 with copyright exceptions. Original pack licence does not replace source rights.