# Twenty worked interest examples · dance remains the task

These are complete hypothetical choices, not actual learner work or real-world/cultural facts. Choose any, none, dance alone or the child's own purpose. The action idea is child-owned, and a comfortable actual short trial/director-supported adult enactment comes first when wanted; marks remember choices afterward. No copying a prescribed body action, costume/prop/purchase, forced emotion or audience. Open alternatives can be valid art; retain the particular teaching/check brief when judging that target. Check-day offers are **After Check** only.

| Day | Worked choice A | Worked choice B |
| --- | --- | --- |
| 41 | **Picture reveal:** A tiny opening could use FLOW then PLACE: connected action then gentle arrival; child chooses an own comfortable action or directs/imagines it. **Worked order:** FLOW → PLACE. | **Cloud drawing:** A dance beside an imagined cloud picture could keep a connected action, then arrive clearly; it is not a weather explanation. **Worked order:** FLOW → PLACE. |
| 42 | **Library story:** Try the same child action idea with a gentle arrival then connected continuation for a pretend book opening. **Worked order:** PLACE → FLOW. | **Toy vehicle picture:** Compare connected versus gently arriving quality for a pretend vehicle reveal, without actual travel or mechanics. **Worked order:** FLOW → PLACE. |
| 43 | **Garden sketch:** A hypothetical three-FLOW opening can change the middle quality while keeping the action idea; one tiny trial if chosen. **Worked order:** FLOW FLOW FLOW → FLOW PLACE FLOW. | **Space comic:** A middle arrival can change to FLOW in an own imagined launch-picture dance; no actual launch/motion claim. **Worked order:** FLOW PLACE FLOW → FLOW FLOW FLOW. |
| 44 | **Bakery pretend:** A child might choose a gently arriving opening before two connected moments for a pretend menu reveal. **Worked order:** PLACE FLOW FLOW. | **Ocean art:** A connected opening, gentle middle arrival and connected last part can frame a sea picture without imitating an animal/culture. **Worked order:** FLOW PLACE FLOW. |
| 45 | **Architecture picture:** After Check: use unrelated Source A as an opening for a drawn doorway; no O source rehearsal. **Worked order:** After Check: FLOW → PLACE. | **Game invention:** After Check: choose an unrelated small opening with two qualities for a pretend game; not a real signal or O answer. **Worked order:** After Check: PLACE → FLOW. |
| 46 | **Paper toy theatre:** A child might change the final connected quality to a gentle arrival for a small imagined scene ending. **Worked order:** FLOW PLACE FLOW → FLOW PLACE PLACE. | **Art gallery sketch:** A connected final quality may suit an own picture ending; the child can prefer either, with no supplied audience feeling. **Worked order:** FLOW PLACE PLACE → FLOW PLACE FLOW. |
| 47 | **Pattern picture:** After actual Little Shape Reveal encounter, child could choose a different opening for an own patterned-picture reveal; not copying a cultural dance. **Worked order:** FLOW PLACE FLOW → PLACE FLOW FLOW. | **Map fiction:** A gentle ending after connected middle can be chosen beside an invented map, not real navigation or community knowledge. **Worked order:** PLACE FLOW PLACE. |
| 48 | **Museum pretend:** Child might show a plan or actual small ending to one willing person, or keep it private; no institution/context claim. **Worked order:** FLOW PLACE PLACE. | **Robot drawing:** Two gentle arrivals then a connected moment can open an imaginary robot picture, without forced mechanical movements. **Worked order:** PLACE PLACE FLOW. |
| 49 | **Puzzle drawing:** An own observed trial may lead the maker to move the gently arriving quality from opening to middle; no invented viewer feedback. **Worked order:** PLACE FLOW FLOW → FLOW PLACE FLOW. | **Textile sketch:** Maker might keep a connected ending beside an imagined woven picture, without borrowing cultural pattern/meaning. **Worked order:** KEEP: PLACE FLOW PLACE. |
| 50 | **Sports picture:** After Check: return to unrelated Source D and choose a small ending beside an invented sports picture; no physical sport requirement. **Worked order:** After Check: FLOW PLACE FLOW → FLOW PLACE PLACE. | **Media title card:** After Check: return to Source A for an imagined title opening; no claim a film/device operated. **Worked order:** After Check: FLOW → PLACE. |

These twenty domains are invitations, not cross-subject attainment, true place/people/community accounts or achieved audience effects. Label child actual movement, adult actually enacted, object model and plan separately; source/response/audience need their own actual evidence.